Born in Terlizzi, Bari, Italy, and grown up in Lodi, she begins her singing experience in the kids choir of Lodi cathedral at 12.
She studied energy engineering at politecnico of Milan and singing, trombone and piano at the accademia internazionale della musica di villa Simonetta of Milan, with respectively Vincenzo Manno, Giovanni di Stefano and Ariella Soffritti.
She attended baroque and belcanto singing masterclasses with Sara Mingardo, Rinaldo Alessandrini e Luciana D`intino and studied vocal technique with Marina de Liso, Thomas Michael Allen, Franco Farina and John Norris.
She has collaborated with Laverdi Barocca di Milano, with the coreographer Anne Teresa de Keersmaeker in the contemporary dance performances “Cesena” and “En Atendant”; with the ensemble Ghislieri consort from Pavia conducted by Giulio Prandi and with Christoph Spering.
She collaborates with many ensembles like Collegium Vocale Gent, les Cris de Paris, Rene’ Jacobs, Andreas Spering, Capella de La Torre, specialized in renaissance music, the musicians’ collective graindelavoix (Björn Schmelzer, medieval repertoire), Concerto Romano (Alessandro Quarta), the renaissance music ensemble Lala Höhö, Nederlands Bach Vereniging, Musik Podium Stuttgart, Club Medieval, ensemble Lucidarium.
She has performed in numerous festivals and concert halls; some of them are Tage Alte Musik, Herne, Tage der Alte Musik Basel, Edinburgh International Festival, Tage Alter Musik Regensburg, Le crete Senesi Asciano, Warsaw Chopin Festival, Saintes Festival, Sagra Musicale Umbra, stagione della DePhilarmonie Anversa, TAP Poitiers, Associazione Scarlatti Napoli, Lincoln Center New York, Styriarte, Concertgebouw Amsterdam, Muziekgebouw Bruges, Auditório Nacional de Madrid, De Doelen Rotterdam, BAM Brookyln, Montalbane festival Freyburg, York early music festival.
In august 2014 has been “Melissa” in the “Le fate” by Ristori at the theater of Gotha, Germany, Born in Terlizzi, Bari, Italy, and grown up in Lodi, she begins her singing experience in the kids choir of Lodi cathedral at 12.
She studied energy engineering at politecnico of Milan and singing, trombone and piano at the accademia internazionale della musica di villa Simonetta of Milan, with respectively Vincenzo Manno, Giovanni di Stefano and Ariella Soffritti.
She attended baroque and belcanto singing masterclasses with Sara Mingardo, Rinaldo Alessandrini e Luciana D`intino and studied vocal technique with Marina de Liso, Thomas Michael Allen, Franco Farina and John Norris.
She has collaborated with Laverdi Barocca di Milano, with the coreographer Anne Teresa de Keersmaeker in the contemporary dance performances “Cesena” and “En Atendant”; with the ensemble Ghislieri consort from Pavia conducted by Giulio Prandi and with Christoph Spering.
She collaborates with many ensembles like Collegium Vocale Gent, les Cris de Paris, Rene’ Jacobs, Andreas Spering, Capella de La Torre, specialized in renaissance music, the musicians’ collective graindelavoix (Björn Schmelzer, medieval repertoire), Concerto Romano (Alessandro Quarta), the renaissance music ensemble Lala Höhö, Nederlands Bach Vereniging, Musik Podium Stuttgart, Club Medieval, ensemble Lucidarium.
She has performed in numerous festivals and concert halls; some of them are Tage Alte Musik, during the Ekhof festival. The opera has been performed as première in modern times.
In April 2017 she has been Pulcheria in Handel’s Riccardo primo at the theatre of Ulm, Germany (Hassler Consort, Franz Raml).
In January 2019 she recorded the role of San Bernardo in the sacred work “San Guglielmo d’Aquitania” by Pergolesi, for the label musica Novantiqua.
She works regularly for the music theater company, Silbersee (Romain Bischoff), from Amsterdam, as a singer and performer.